ARRI ALEXA 35 Digital Cine Digicam – All Recording Codecs on one Poster | Tech Ado



about ARRI ALEXA 35 Digital Cine Digicam – All Recording Codecs on one Poster will cowl the newest and most present steering all however the world. entry slowly correspondingly you perceive with ease and appropriately. will lump your information easily and reliably


The ARRI ALEXA 35 is out within the area, and it is a beast (in a great way, after all). For those who’re fortunate sufficient to work with it recurrently, ARRI has simply launched somewhat helper within the type of a pdf poster: all of the recording codecs are clearly listed, so you will know what’s doable and the way to obtain it very quickly. .

On the coronary heart of the brand new ARRI ALEXA 35 is the successor to the extremely acclaimed ALEV 3 sensor, the brand new ALEV 4. This sensor, together with the in-camera processing course of, is answerable for the spectacular lab take a look at outcomes of the ALEXA 35 right here at CineD HQ. You should definitely take a look at our interview with ARRI right here as properly.

ARRI ALEXA 35 digital camera. Credit score: ARRI

Because the ALEXA 35 is supplied with a 4.6K (4608 x 3164) Tremendous 35 sensor, there are a number of codecs that this sensor can output, so this “Recording Codecs Poster” is basically useful. All the pieces from Open Gate, UHD, 3.8K 2:1 Ana, to 2K and HD is listed in a straightforward to know manner so you realize precisely which modes do what and the way finest to make use of them.

ARRI ALEXA 35 poster. Credit score: ARRI

ARRI ALEXA 35 – Poster of recording codecs

In whole, the ALEXA 35 presents 19 capturing modes, which is rather a lot. Whether or not you desire a particular knowledge charge, the best doable high quality, or a selected anamorphic compression issue, this digital camera has you lined.

To provide you one other view of the info proven on the recording codecs chart offered by ARRI, I am going to checklist all obtainable modes.

To begin with, there are two completely different primary modes of operation right here: ARRIRAW or ProRes. The previous information unaltered or uncompressed sensor knowledge and subsequently presents essentially the most flexibility for subsequent post-production. The latter is available in quite a lot of flavors (aka compression charges), so you possibly can select the format and sensor mode (i.e. sensor space used for recording) that most accurately fits your undertaking.

ARRI ALEXA 35 Poster of recording codecs. Credit score: ARRI

Sensor modes

As for the sensor modes, there are eight modes in whole, so-called Open door as much as 2K 16:9 Tremendous 16 mode:

  • Open Gate (4608 x 3164): every pixel of the sensor will probably be thought-about for recording. This may be actually useful for modifying the picture within the submit. If required, digital body strains may be added to border for a special facet ratio whereas holding all extra info.
  • 4.6K 16:9 (4608 x 2592): This leads to a extra basic format (in two resolutions), which may be simpler to deal with as extra lenses cowl the picture circle required for this mode.
  • 4K 16:9 (4096 x 2304): Identical as 4.6K however with barely decrease decision.
  • 4K 2:1 (4096 x 2048) – Nonetheless 4K however with a special facet ratio.
  • 3.3K 6:5 (3328 x 2790): For tasks utilizing 2x anamorphic Tremendous 35 lenses for two.39:1 goal supply.
  • 3K 1:1 (3072 x 3072) – Designed for capturing with 2x anamorphic lenses for two:1 lens supply.
  • 2.7K 8:9 (2743 x 3086) with UHD 16:9 Ana 2x lens: For anamorphic pictures with compression discount utilized in-camera
  • 2K 16:9 S16 (2048 x 1152): The “lowest” setting doable. Mimics the standard Tremendous 16 format to be used with Tremendous 16 lenses or as a middle cutout on the digital camera.

Because it stands, the ARRI ALEXA 35 is actually some of the versatile cameras available on the market, even whether it is “simply” a Tremendous 35 digital camera and never a full-frame digital camera. With all of those modes obtainable, most if not all capturing conditions must be properly lined for the foreseeable future.

Hyperlinks: ARRI web site | obtain the poster right here

What do you suppose? Is one among these capturing modes the one you want for an upcoming undertaking? Would you contemplate renting an ALEXA 35 for this? Share your experiences within the feedback under!


I want the article virtually ARRI ALEXA 35 Digital Cine Digicam – All Recording Codecs on one Poster provides perception to you and is helpful for tallying to your information

ARRI ALEXA 35 Digital Cine Camera – All Recording Formats on one Poster